Category Archives: Art Books

Reviews and recommendations of artbooks.

The sketchbook and why you should keep one.

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Mishu says: "Sketchbooks make excellent chairs."

The sketchbook is the artist’s best friend and most interesting tool. If you do not already have one, you should start one today. Why is that? Because your artwork will benefit greatly from it. One reason here is naturally that sketching is practice and practice will at any given time improve your work, but sketching can also be very liberating.

 

It is important to remember that your sketchbook is your playground. It is where you can try out ideas, free of concerns of perfection that may otherwise be present when you work on a piece. When using your sketchbook you should never worry about the outcome. Why not? Joe Bluhm says it best:
 
[quote]“Don’t draw in a sketchbook with the intention of showing off! You will never get any real, honest practice if everything is a contest.” [/quote]

 

Not only is practice important, but when you cease to worry about competition with other artists you will also enjoy drawing more, it becomes about you, your ideas, creations and expression and that is what your art should be about: What YOU have to say.

 

In 2008 when I enrolled at the Academy of Fine Arts in Aarhus, Denmark, the first thing our professors requested of us, was that we purchased a sketchbook of small enough size that it would fit in any handbag so that we might always carry it with us. Your sketchbook should always be readily available to you, so that when you may record your ideas and inspiration at any given time. Whether it be when you are on the bus, walking down the street, sitting at home, hanging out with friends and so on. You never know when something may spark your interest, so therefore it is important to be able to record it right away when it does, so you do not forget.

 

In time a pattern will form in your sketchbook. You will see which things that inspire you and what subjects you prefer to work with. Then, when you need ideas for your more serious works – you have a whole personalized book full to pick from.

 

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Collage of sketches from my 2012 Sketchbook


 

When first I was told to keep a sketchbook, I was a little skeptical of the idea (I was young, naive and silly!) but I very quickly grew to love it, and I have ever since kept a new sketchbook every year: I like numbering them by year because I can easily see my progress then. Although the drawings in it are not of finished quality you can still see improvement.

My sketchbooks have also become a form of diaries or study journals if you will. When looking through them I am looking through my life at the time. Another great benefit I found, is that I no longer have a hundred scraps of paper scattered all over my space, all my doodles and ideas are now neatly kept in the book.

Art Book Review: Art & Fear

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ISBN: 0-9614547-3-3
List price: $12.95
Available on Amazon for about $6.50

[dropcap style="font-size: 60px; color: #4f1414;"] A[/dropcap]rt & Fear: Observations On the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland is a wonderful survival guide for artists. The 122 page book takes you through the common fears that any artist go through, it explores the reason why we create art, but even more so the reason why we often do not make art when we could. Why we procrastinate because of self doubt, and how we may overcome this.

The book has reached a huge audience. The original Capra Press edition of Art & Fear sold 80,000 copies, but what is it that makes this book so special?

First of all is an encouraging and comforting read because many of the experiences described in the book is something you will recognize and by the end of the day, none of us want to be the artist who gave up – I’d dare say this book enforces that feeling all the more, it makes you want to persist. Further it is not a book for the Leonardo Da Vinci’s, Einstein’s and Michelangelo’s of common day, it is a book for the regular person who goes through a number of perils and doubts when we try to create art. It is also worth noting the book is not written for illustrators, painters or any creative field in specific, it is useful to anyone who goes through a creative process.

The authors are working artists themselves. They draw from their own personal experiences and observations and are refreshingly honest about it, which in turn ensures that the reader doesn’t feel alienated from the processes they describe.

It’s actually difficult to review the book, because it’s so well written! Anything you need to know about it is really just in the book and far more well written than anything I can produce; read it! On Amazon the book has received a total of 4,5 star. I choose to give it 5 because it sat particularly well with me, I read it at a time where it said everything I needed to hear, so I highly recommend it.

 

Quotes from the book:

 

[quote]What separates artists from ex-artists is that those who challenge their fears continue; those who don’t, quit.” – Art & Fear[/quote]

 

[quote]If you think good work is synonymous with perfect work, you are headed for big trouble. Art is human; error is human; ergo, art is error. Inevitably your work (like, uh the preceding syllogism…) will be flawed. Why? Because only human beings, warts and all, make art.” – Art & Fear[/quote]

 

[quote]“Idealism has a high casualty rate. The chances are (statistically speaking) that if you are an artist, you are also a student. That says something very encouraging about the desire to learn art – and something very ominous about the attrition rate of those who try.” – Art & Fear[/quote]

 

[quote]Books on art characteristically have little to say about actually making art. They may offer a sprinkling of romantic parables about the “artist’s struggle”, but the prevailing premise remains that art is clearly the province of genius (or, on occasion, madness)…” – Art & Fear[/quote]

 

[quote]The artist’s life is frustrating not because the passage is slow, but because he imagines it to be fast.” – Art & Fear[/quote]

 

Links:
Art & Fear on Amazon

Art Book Review: How Pictures work

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Molly Bang; Picture this - How Pictures Work

Picture This – How Pictures work written by Molly Bang was recommended to me during one of the Awesome Horse Studios podcasts. I was a little skeptical when I first saw the book because of the overt simplicity of the illustrations on front and back cover, however as soon as I began reading I was drawn in.

Molly Bang uses the classic fairy tale of Little Red Riding Hood to take us through the very elementary basis of how exactly pictures work. The cover illustration is of Little Red Riding Hood in the woods, wit the big bad wolf lurking in the corner. Notice how clearly the image reads just out of simple forms and few colours. Molly answers questions such as why triangles make us feel stable, or why diagonal lines give a sense of tension, what the effects are of placing an object in the upper or lower corner of an image and so forth, all why proving her point every time with creative, simple but extremely efficient illustrations that are made of simple shapes cut out of colored paper.

She gives us a list of 10 principles of how pictures work along with explanations of why. A few examples of the principles to give you an idea.
1. Smooth, flat, horizontal shapes give us a sense of stability and calm.
2. Vertical shapes are more exciting and more active. Vertical shapes rebel against earth’s gravity. They imply energy and a reaching toward height or the heavens.
3. Diagonal shapes are dynamic because they imply motion or tension

For people in the field of art making this book is a must read. I strongly recommend it. You can purchase it really cheap of Amazon. In the used book section it goes for just around $6. I bet you the knowledge you will pick up from this book, will improve your artwork no matter what style or material you are working in.

Links:
Molly Bang’s Website
Molly Bang on Picture This
Picture This – How Pictures Work on Amazon.com
Awesome Horse Studios

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Molly Bang; Picture this - How Pictures Work

Picture This – How Pictures work written by Molly Bang was recommended to me during one of the Awesome Horse Studios podcasts. I was a little skeptical when I first saw the book because of the overt simplicity of the illustrations on front and back cover, however as soon as I began reading I was drawn in.

Molly Bang uses the classic fairy tale of Little Red Riding Hood to take us through the very elementary basis of how exactly pictures work. The cover illustration is of Little Red Riding Hood in the woods, wit the big bad wolf lurking in the corner. Notice how clearly the image reads just out of simple forms and few colours. Molly answers questions such as why triangles make us feel stable, or why diagonal lines give a sense of tension, what the effects are of placing an object in the upper or lower corner of an image and so forth, all why proving her point every time with creative, simple but extremely efficient illustrations that are made of simple shapes cut out of colored paper.

She gives us a list of 10 principles of how pictures work along with explanations of why. A few examples of the principles to give you an idea.
1. Smooth, flat, horizontal shapes give us a sense of stability and calm.
2. Vertical shapes are more exciting and more active. Vertical shapes rebel against earth’s gravity. They imply energy and a reaching toward height or the heavens.
3. Diagonal shapes are dynamic because they imply motion or tension

For people in the field of art making this book is a must read. I strongly recommend it. You can purchase it really cheap of Amazon. In the used book section it goes for just around $6. I bet you the knowledge you will pick up from this book, will improve your artwork no matter what style or material you are working in.

Links:
Molly Bang’s Website
Molly Bang on Picture This
Picture This – How Pictures Work on Amazon.com
Awesome Horse Studios

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Molly Bang's Picture this - How Pictures Work

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Molly Bang's Picture this - How Pictures Work

T for Tutorial: “Foot Notes” – An Artist’s Fright

“Good news, everybody!”

Today we are going to learn how to draw feet. But why? Because feet are an IMPORTANT part of any drawing. Feet grounds your figure, you should always make it a point to draw the feet, when you have a full figure drawing. Avoiding feet because they are difficult is a very bad habit and one your artwork will suffer from (Unless you are named Frank Frazetta, who for some reason did avoid drawing feet despite seemingly being alright at it).

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Jack Hamm (1916–1996)

Please let me introduce you to Jack Hamm. The first thing you should know about Jack Hamm is that he is unfortunately dead and the second thing you should know about Jack Hamm is that he was a great artist. If you think you are unfamiliar with Jack Hamm’s work, I can almost guarantee you that you are not. Jack Hamm worked on cartoon strips such as Bugs Bunny and Buck Rogers. He did a lot more of interesting things in his life too but to keep this short, sweet and to the point I will much rather tell you about his drawing books:

He published the following books:
How to Draw Animals, Perigree Trade, ISBN 0399508023
Drawing the Head and Figure, Perigree Trade, ISBN 0399507914
Cartooning the Head and Figure, Perigree Trade, ISBN 0399508031
First Lessons in Drawing and Painting, Perigree Trade, ISBN 0399514783
Drawing Toward God, Droke House, Library of Congress Catalog: 68-16896
(You can still purchase these books on Amazon.com)

The book of main interest to us here is ‘Drawing the Head and Figure’ – because within this book Jack Hamm cave us the following wonderful tutorial on how to draw the feet:

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Jack Hamm on Feet, 01

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Jack Hamm on Feet, 02

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Jack Hamm on Feet, 03

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Jack Hamm on Feet, 04

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Jack Hamm on Feet, 05

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Jack Hamm on Feet, 06

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Jack Hamm on Feet, 07

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Jack Hamm on Feet, 08

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Jack Hamm on Feet, 09

Links:
Christian Pioneers: Jack Hamm
Wikipedia on Jack Hamm
Academy of Creature Design on Jack Hamm’s Feet
Buy Drawing the Head and Figure by Jack Hamm at Amazon

James Gurney – An inspiration.

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Color and Light Poster

I love it when people care! I love it even more when people who have made it in their chosen field, still have the time to pay attention to people trying to get there or just to fans! I have an incredible amount of respect for that kind of people: People who take time to show others that their interest in their works means something to them. James Gurney is one such man.

The other day in the mail I received a signed Light and Color poster, a signed book sticker and a little postcard as a ‘Thank you; for participating in his dinotopia Envelope Contest. I wasn’t selected as one of the winners but James Gurney was so kind as to reward everyone who participated with this wonderful package. He didn’t have to, but he did.

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Color and Light by James Gurney (I'm not really crazy, I just like making faces)

I have long followed his blog with keen interest and a few months ago I purchased his Light and Color book, after reading so many positive recommendations of it.

If you are interested in art and haven’t already bought the book you certainly should. It is a great and informative piece of colour and light theory and there is so many fascinating observations and great advice in it. The sticker James Gurney sent along with the poster, went right in my book. I feel honoured to have one of his books signed by the master himself. He is an inspiration.

Further there has been a really interesting article posted by Communication Art on James Gurney and Tony DiTerlizzi’s world building. Both being artists I greatly admire I found the article to be very inspiring.

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Color and Light, Signed by James Gurney

It is my hope I one day will be able to write and illustrate my own books. I actually had an idea on on one after reading this article but more on that later.

Links:
James Gurney’s Blog
Results of Envelope Contest
Light and Color from Dinotopia Store
Light and Color from Amazon
Building Fantastic Worlds by Communication Arts

Rackham and Dulac

Snapshot 20110519 20 Copy 300x225 <!  :en  >Rackham and Dulac<!  :  > I am a big fan of Amazon.com. It is not so much because I like books and you can find near any book there but rather because of their ‘Used Books’ section. When browsing for older books you can often find most of them extremely cheap in the Used section. I have acquired many books both for school studies and personal interest for less than 5 $ a book this way. Two of my recent acquisitions are the Dover publications featuring 80 plates with illustrations by Arthur Rackham and another by Edmund Dulac.

Both artists are very well known for their fairy tale illustrations. Arthur Rackham’s artwork mainly features class European fairy tales, whereas many of Edmund Dulac’s illustrations are from The Arabian Nights (1001 Nights). The high quality of the illustrations in both books is so enjoyable and a huge inspiration to fairy tale fans such as myself. The books feature one page introduction about each artists and then the rest is pure illustration.

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Snow White and Rose Red Illustrated by Arthur Rackham

I can definitely recommend these! Beautiful, beautiful books filled with childhood memories. Artistically there is so much to be had from these artists. Compared to the complexity of much digital art nowadays their method carry a simplicity that makes the images all the more admirable. Granted Rackham’s method to achiving the unique look, as described in the book, does not sound all that simple at all. However I find it an important lesson for any artist to realize that sometimes less is more.

Links:
Rackham’s Fairytale Illustrations in Full Colour on Amazon
Dulac’s Fairy Tale Illustrations in Full Colour on Amazon

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The Pricess and the Pea illustrated by Edmund Dulac